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《二手店的女人们 二十九》是一部优秀且评分为1.0 类型影视作品，主要演员有：拉多万·卢卡夫斯基 古斯塔夫·瓦拉赫 艾米丽娅·瓦萨约娃 威廉·波洛尼 Jela Buckova Jozef Cierny Pavel Chrobak 米库拉斯·洛迪津斯凯 Ivan Macho Ján Mildner Andrej Mojzis Jan Pelech 卢多维特·赖特尔 斯特凡·克维季克 Milan Mach 与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代(dài )斯洛伐克(⏬)新浪潮电影的缔(dì )造者(zhě )之一。他的三(sān )部影片《一周七(🕯)天》（(💆)1964）《尼绒月亮》（1965）(🍮)和这部《徳拉克的回归》都是(🤷)斯洛伐克(kè )(🚢)新浪潮(🧚)电(🚣)影的(🥁)代(🌚)表作(zuò )。这部叙(🖲)事方法(💱)独特(🌑)带有明(míng )显(xiǎn )意识(shí )流风格的黑白(bái )(🐑)影片(piàn )甚至间(🌞)接影响到(🙀)了后来法国(guó )导演格(gé )里(🥫)耶在捷克拍摄(shè )的两(liǎng )(⛳)部(bù )影片(👺)《说谎的人》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
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